
Charcoal pencil on paper
20" x 16" including black mat
Just having a friendly chat.
Click here to purchase this piece.

18" x 24"
Pastels and graphite on paper with white mat


Charcoal pencil on paper
20" x 16" including black mat
Who doesn't like hippos?
Click here to purchase this piece.

Pastel on paper
20" x 16", 28" x 24" matted
Reddish-brown horses are so gorgeous and regal-looking that I almost forget about their big ol’ noses and nasty-smelling homes.
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Pencil on paper
18" x 24" including off-white mat
Still beautiful while aging. I should be so lucky!
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Conte Crayon on paper
14" x 11", 20" x 16" matted
Why draw a lionfish? Because it’s one of the coolest critters in the ocean. In one sense it’s coloring is monochromatic, yet in another it’s variegated and complicated, In one way it looks a little mopey but in another it’s beauty is as sharp and deadly as its poisonous spikes.
Click here to purchase this piece.









Click here to purchase this piece.
Charcoal pencil on paper
20" x 16" including black mat
Just having a friendly chat.
Click here to purchase this piece.
18" x 24"
Pastels and graphite on paper with white mat
Charcoal pencil on paper
20" x 16" including black mat
Who doesn't like hippos?
Click here to purchase this piece.
Pastel on paper
20" x 16", 28" x 24" matted
Reddish-brown horses are so gorgeous and regal-looking that I almost forget about their big ol’ noses and nasty-smelling homes.
Click here to purchase this piece.
Pencil on paper
18" x 24" including off-white mat
Still beautiful while aging. I should be so lucky!
Click here to purchase this piece.
Conte Crayon on paper
14" x 11", 20" x 16" matted
Why draw a lionfish? Because it’s one of the coolest critters in the ocean. In one sense it’s coloring is monochromatic, yet in another it’s variegated and complicated, In one way it looks a little mopey but in another it’s beauty is as sharp and deadly as its poisonous spikes.
Click here to purchase this piece.